so adjusting the black color towards white will gradually change the transparency to reflection from glass at either parallel/perpendicular position to the camera. For me, you get more reflection as the surface is bending towards perpendicular angle to the camera. I’ve read an article somewhere on ASGViz (ChaosGroup) explaining Fresnel (Perpendicular and Parallel) it is a more indepth approach on how fresnel reflections behave in real-life. Here is my basic Glass Material, nothing really special but I always adjust it on my preffered angle between the camera and glass to the reflection source (smart trees) by just adjusting a bit tweaks on the parallel and perpendicular properties of fresnel. I always depend the extent of material details on the camera view wether it is noticeable or not. But it doesnt matter as long as it will look good on your output. Sometimes I put reflection on wall, but this time I havent got it on because of long render times. it is always fun to experiment on this depending on your taste. put your bump multiplier, I always assume it to be 2-5 depending on draft renders i make.
5 on size but you can change it to smaller or even higher map size.But in my case the default 1 vaue is quite big on the output. Diffuseīasic Wall Material Set-Up basic procedural mapping on the wall: - first choose color - then click “m” on bump map - click the dropdown menu until you see “STUCCO” - I always set it to. I just modified them in PS including their bumps and displacement, in case you ask.
are basically from sketchup material textures itself. NOTE: other materials like sidewalk/asphalt/grass etc. Here are the list of main materials I used: Stone Texture I always use right-click and edit texture positions manually. MATERIALS i am never really good at material mapping and texturing, I always make it a point to get materials on Sketchup itself or Vray procedural maps, then apply reflections, bumps or whatsoever.
XD Note: It is always good to render your scene at around 2:30-3:30pm on afternoon scene and 4:306:00 at dusk scene if youre after a good shadow and less intense sunlight and with more artistic mood but that is just my opinion. But I only do this because it’s too heavy making changes and having so many components and models in the scene. As you can see, I try to optimize my model so, “Everything that will not be seen on the camera is not really modelled nor textured”. “the good thing about sketchup is you can preview the shadow and assumed light ROAD from the scene itself (w/ fallen leaves & sidewalk) on your shadow/time toolbar, just toggle it” Another reference for modelling is Sir Peter Guthrie’s Sketchup Modelling video on his site, please do watch it.
#FREE DOWNLOAD VRAY RENDER PC#
It is by turning the layer off when not needed, this is important for low pc specs like me. Because this will help you a lot in manipulating your scene as it gets more detailed and heavier. :D Note: Always make it a point to wisely layer every single model/group/components in the scene to your most comfortable way. Here are the plug-ins I usually can’t model without: ? Mirror ? Purge All ? Round Corner ? Get Midpoint ? Remove Material ? Bezier Curves ? FFD ? Align ? FurĪnd Vray plug-in.
On modelling, As much as possible I limit myself from using excessive plug-ins.As you can see on the image above it is my final model, note that this scene is optimized only with one camera view. This is quite an experimental tutorial so, please bear with me on this, :) And as an architect, It’s always a part of my job doing stuff like this. It’s rather my basic visual sense towards architecture. Though, nothing is quite remarkable on my work-flow compared to other artists, really. INTRODUCTION In this tutorial, I will try as much as I can to simply explain how did I ended up with this Filipino Villa using my usual workflow in doing visualization from modelling and rendering using Sketchup, Vray for Sketchup and with Photoshop on simple post-processing.
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